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June 18th, 2009

 Just two little one-shots that deal with Slytherin and which happen to be great. Completely different styles and different stories, but both interesting in their own ways : these are not the stories you've read zillions of times already, these are truly original little pieces of writing. Definitely worth having a look.

Title: Anything But Slytherin
Author: IP82
Length: One-Shot
My opinion: Good
Genre: Alternate Universe / mildly disturbing
Rating: Restricted
Pairings: None
Spoilers: it’s mostly just based on the first book

 Author’s Summary: How could have Harry's sorting ceremony looked like if the first war against Voldemort went down a bit differently. Dark and disturbing.

More detailed summary: A very dark version of the sorting ceremony in a war-obsessed society, or giving a whole new meaning to the phrase “anything but Slytherin.”

Critique: To be honest, the style is not very good, but the idea is genuinely brilliant and the way the narrative is handled, with a very effective building up of tension, is quite good. Not a work of art, but definitely worth a read.

Where to find it: http://www.fanfiction.net/s/4269983/1/Anything_but_Slytherin


Title: Grown Ups
Author: Mawaridi
Length: One-Shot
My opinion: Good
Genre: Romance ? A dash of teenage angst liberally sprinkled with humour? Or simply taking the unlikeliest of pairings and making it perfect.
Rating: PG-13
Pairings: Harry / Millicent
Spoilers: Up to Order of the Phoenix

Author’s Summary: Growing up is lonely. So is losing someone you love. Two unlikely people find they have more in common than they realised.

More detailed summary: No real need for it really.

 Critique: I love this story. The characterisation of Millicent is pretty good, and the “love encounter” is treated with this perfect mix of utter non-fluffiness and yet great sensibility, it’s brillant.

 Where to find it: http://mawaridi.livejournal.com/109842.html




February 25th, 2009

Tea with Voldy

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plant, Elskuligr

Today I have recs for two very original fics that have fairly little in common except the way they characterise Voldemort is fairly interesting, hence the choice of my subject title.

 

Refraction, by Metisket )

 


 

Prince of the Dark Kingdom, by Mizuni-Sama )

January 5th, 2009

Fun Fics

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plant, Elskuligr

 And now for some humour:


Severus Snape and His Letters From the Edge, by Sylvie Moonbeam )

 

The Basement, by Marz1 )

November 22nd, 2008

Fanfic reviews

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plant, Elskuligr

Well, it had been a while so here are two new reviews for Harry Potter fanfics. They're both novel-length, but otherwise quite different.

If you enjoy action / adventure and don't mind a bit of slash, have a look at:
The Shadow of His Wings, by Mirabella )

If you have a craving for a good time-travel story, try: 

Backward with Purpose by Ella )

 

 

 

 

October 13th, 2008

Sad but true...

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plant, Elskuligr




Source: XKCD.COM, A webcomic of romance, sarcasm, math, and language

September 8th, 2008

Poetry

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plant, Elskuligr

Trying to write a PhD thesis and being in more or less constant self-doubt tend to be synonymous, I'm afraid, not least when the said thesis deals with something as elusive as the style of ancient poetry (Old English in my case).

It is strangely comforting to have one's doubts confirmed and somehow gently mocked by a witty quote, which is what happened to me today.

I share the quote with you because I think it's thought-provoking and because I'm sure that
[info]fpb  in particular will have much to say about it, given his opinions on the matter differ quite dramatically from Stoppard's if I'm not mistaken.

Poetical feelings are a peril to scholarship. There are always poetical people ready to protest that a corrupt line is exquisite. Exquisite to whom? The Romans were foreigners writing for foreigners two milleniums ago; and for people whose gods we find quaint, whose savagery we abominate, whose private habits we don’t like to talk about, but whose idea of what is exquisite is, we flatter ourselves, mysteriously identical with ours.

(Tom Stoppard, The Invention of Love)

July 18th, 2008

It's been a while since I last wrote any review, and these days I'm in the mood for darkness...
Both stories have much in common: mood, pairing, style, characterisation, etc.
Neither of them is hugely famous, but they're still relatively well-known so I'm afraid I can't claim I've found hidden gems, but never mind!
Incidentally, the second one inspired me for my fic Better Than Expected, even though the plot is completely different. It certainly gave me a taste for depressing stories showing Harry from Draco's point of view.



Dark Side of Light (Maya) )
Author: Maya
Status: COMPLETE
Length: Very long one-shot (it’s not chaptered, but it’s really quite long)
My opinion: Good
Genre: dark slash
Rating: R (sexual and violent contents)
Pairings: H/D
Spoilers: I guess it was written after Goblet of Fire, but it’s set after the war.
 
Author’s Summary: Maya's attempt at dialogue-only. Post-war, Draco-in-Azkaban, very dark, may be bad for your mental health.
 
Critique:
Let’s face it, I love pretty much everything written by Maya. This is one of her earlier works and not necessarily the most ambitious, so if I had to choose which of her fics is the very best, this wouldn’t be it (it would be Drop Dead Gorgeous!). That being said, it is a very good dark short-story. The plot is quite simple. The war is over, Draco is in Azkaban for his crimes and Harry is desperately lonely because pretty much all the people he cared for are dead. He comes to visit Draco several times: out of curiosity, boredom, desperation perhaps: his motivations are not all that clear at first, but we get a better sense of the situation gradually, when more information is revealed about both characters and their involvements in the war.
The fact that most of the story is made of dialogue between these two characters gives it the peculiar atmosphere of a minimalist play: two characters, one room and a lot of nasty things lurking in the background. The writing is not flawless: the handling of emotions in particular is much less subtle than in Maya’s later works. Still, its darkness is oddly compelling. The unstoppable movement from really bad to perhaps not quite so awful and then suddenly to unthinkable horror is rather enjoyable for those with an inclination for tragedy (in the broad sense of the word).
All in all, if you enjoy depressing dark stories and don’t mind slash, you will love it. If it’s not the case, you should probably stay well away from it, and from the other rec below as well.
 
 
Where to find it: Lasair and Maya’s old website, http://www.lasairandmaya.com/DSOL.html Maya has planned to take all her fics off the internet in the near future (autumn 2008) so it might not stay there forever, not to mention the site is moribund anyway.
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As Time Unfolds Us: A Memoir (Agnes Bean) )
Author: Agnes Bean
Status: COMPLETE
Length: 14 parts, all visible on the same very long web page.
My opinion: Very Good
Genre: dark slash
Rating: R (sexual and violent contents)
Pairings: H/D
Spoilers: Written after Half-Blood Prince
 
Summary: Basically, Snape and Draco Malfoy help Harry Potter escape from Voldemort and Malfoy ends up being a “guest” at the Order’s Headquarters. He has not turned to the side of light, but he has asked for asylum after fleeing from Voldemort. The author provides no summary, but the incipit is quite telling: “If you are reading this, you probably already know about me. You probably think this is a ploy to entice you with some heartbreaking sob story about all the bad things I went through, to make you realise that I‘m just ‘misunderstood’. It’s not.”
 
Critique:
This is the perfect follow-up from Half-Blood Prince, at least from my admittedly biased point of view. It shows much insight into the characters of Severus Snape and Draco Malfoy, and into where their loyalties lay (indeed, quite a few of the author’s guesses were confirmed by Deathly Hallows). In general, I like the character of Draco Malfoy, but nothing annoys me more than a story trying to pretend he just needs a hug to be nice and happy. The character described here has a part of darkness and is certainly not blameless, but he is not a monster either. You could say the story plays with the distant possibility of redemption before crushing it ruthlessly.
The choice of writing the story as an autobiography proves very successful. The narrator’s hindsight allows him to drop ominous statements here and there about the future, and his restraint let the feelings show without forcing them onto the reader. If there is one thing I’m not too fond of in that story, it’s the slashy passages: they’re not too too long, but they have more explicit details than I usually care to know about. Then again, it’s part of the attraction of the story that you can guess strong and varied emotions behind what could, on the surface, be mistaken as a mere sexual fling.
This story has much in common with the one above and will appeal to the same kind of people: if you love dark stories that leave you gutted, this is for you!
 
 
</div>

June 23rd, 2008

(no subject)

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plant, Elskuligr
This is an answer to a post by [info]fpb  about abortion. I repost it here because it did not fit in one piece in the comments to [info]fpb's post and because he deleted the first part as it did not meet his standards of scholarship.
[info]fpb</lj> 's point is that there is a continuum between conception and adulthood and that full humanity comes at a rather late stage as a child only attains consciousness some time after birth so there is no sense in forbidding infanticide and authorising abortion. This is obviously a rather rough summary, if you want to read his more subtle point, read here.

Edit: I wanted an LJ cut to make this less ugly, but my computer won't obey me so...


First I would like to address once again what I think is a problem of method in the basis of your arguments, that is to say the way in which you tend to base your argumentation on universal statements.
I know I already mentioned that elsewhere, but I would like to do it again, this time with special reference to the body of your message.
“people like Singer are simply regarded as desperate maniacs”
As a matter of fact, I was taught Singer’s theories in philosophy when I was in secondary school and, of course, it does not mean we were actively encouraged to think like him because the whole point of philosophy is to look at authors’ writings critically, but the man was not presented as a raving maniac either. Actually, his ideas on specism left a powerful impression on me and I think he does raise valuable questions about the specificity of humanity.
“There is no legend of exposure that does not involve horror, guilt, and eventual ruin”
There are so many legends, it is rather incautious to make such a claim. I can at least think of one tale in which exposure occurs without any nasty consequence for the child, for the dad who abandoned the mother in the first place, nor for the mother’s father who decided that the child should be exposed. Obviously, the child is rescued and lives on, otherwise there would be no story, but nothing dreadful happens to those responsible for exposure, on the contrary (the tale is that of Thorstein Bull’s Leg, Þorsteins þáttur uxafóts).*
I think the point in these exposure stories, is not so much the fact that exposure is terrible although that’s certainly an element of it. I would rather suggest that it is used because it shows that no matter how drastic the precautions you take are, you can’t guard yourself against the power of a prophecy. And, in occasions where there is no prophecy, it is often a way to create an exceptional origin story for the hero, which sets him / her radically apart from ordinary people, in the same way that many heroes are orphans or unpromising children or, on the contrary, children of aristocrats or exceptional people. The abandoned children plot has the advantage of combining both: usually noble parents but a humble beginning because of their exposure.
 
I am being awfully long, and I apologise for this: I just wanted to call these points into question because I think they introduce important flaws in an argument which is otherwise interesting. I shall now move to the main point of your discussion, that is, does it make sense to consider that at one point a being is not yet human and can be destroyed without qualms and that at the very next moment it is a human being whose destruction would be murder?
 
First of all, I completely agree with the idea that humanity understood in its fullest sense is something which is only gained gradually and that there is a continuum between the conception of a cell and adulthood. I find this hard to deny.
At the same time continuity does not mean identity: in a rainbow, there is continuity from one colour to the next, both seeming somewhat blurred where they merge, yet the colours are different.
Now fixing a precise point after which the colour is orange and before which it is yellow is completely arbitrary.
Similarly, fixing such a limit for humanity is completely arbitrary. And yet, isn’t there a point where there is no human life, and one where there is?
I guess most people will agree (and here I’m afraid I’m going to succumb myself to the sin of sweeping generalisations; I shall try not to let it cloud my judgment too much) that refraining from having sex is not destroying a life, even if potentially that act could lead to the creation of life. Tertullian’s view that wasting sperm by masturbation is destroying potential future human beings is certainly not prevalent. The next step is the creation of a cell from an ovule and a spermatozoid. Is that the beginning of life? Obviously it is quite a big step, but is it THE definite step? On the one hand it is the creation of something which, although it lives in the body of another being has a different genetic makeup so I guess it has some independence. On the other hand its properties at this stage are about those of a bacteria. Admittedly, it has greater potential as far as humanity is concerned, but having sex also have greater potential for giving birth to a human being, yet not doing it is not destroying a life.
Basically this part of the argument all depends on whether you think that the creation of a cell from two cells constitutes the creation of a new life or not.
I would say it probably does. After all a bacteria is a life-form too. So this a life form with a potential for humanity, but which is not human yet.
Now I don’t think destroying the potential for the creation of a human being by refraining from having sex is murder.
Is the destroying of a life form which has a potential to develop from cell to human being murder?
This is an incredibly tricky question.
I would say it is not, but many people think otherwise so it would seem we have entered the blurred area where the two colours mingle.
To go back to your point about exposure: is killing a new born child murder? Many civilisations have done it. Even now, in some countries (Benin is one of them), children born prematurely are left to die because the medical means are not there to save them (and I do say ‘left to die’: nurses do not try to save them and fail but they see them, write on the register ‘born alive, non viable’ and throw the body away, which is a bit like exposure).
I know this sounds shocking because it goes against our ideas, but if you want to be thorough with the question of abortion, it is a point worth raising.
I think the fact many civilisations have accepted exposure as normal does not prove it is a good thing, but it does show that it might be close enough to the ‘blurred’ area for people to disagree on this point.
So it would seem to me that we are left with a blurred area between conception and the acquisition of a limited form of consciousness some time before or after the birth (after a few weeks or months, the beginnings of consciousness show in the eyes of a baby I think, and even earlier babies are said to perceive some things when they are still in the womb).
There are several ways of going about it. If you only look at it on principle, every position is possible. You could take it on the safe side and protect the potential child from the moment of conception.
You could decide that as long as a child has no consciousness it’s no more alive than a flower and that destroying it is fine.
Both positions and everything in between have been current in some societies at some point.
All are, I think, arbitrary.
If letting the cell develop into a child had no bad consequences on the mother, the child and potentially other people, I would say let’s be on the safe side and protect it from the first instant.
Now the right of a cell to develop its full potential has to be counterbalanced with the consequences of that decision.
Is it right to potentially bring ruin to a woman’s life just to be on the safe side?
I say potentially because of course in both cases we are dealing with the future which cannot be known. Not all unwanted pregnancies have tragic consequences, thankfully.
That being said, there is a strong risk and giving birth to a child is not a matter to be treated lightly.
As a consequence, I support the opinion that a compromise between those two rights, those of the mother and those of the potential child, should be reached.
According to me, a woman must be given enough time to realise the situation, take a decision and act on it.
On the other hand, a foetus that already moves, perceives some things and is reasonably healthy (I don’t want to go into eugenics but it seems to me carrying on with a pregnancy when the child is going to die a few months after it’s born is just cruel for all parties) should be granted the right to live.
 
The compromise is necessarily arbitrary, just like most legal decisions when it comes to matters of time. Should rape be punished with 20 years in jail or 19 or 21? That decision is arbitrary even if the decision it should be punished severely is not.
 
Therefore, some time between 10 and 25 weeks would seem reasonable to me, but the precise time is by necessity going to be arbitrary, and the decision is necessarily going to infringe both on the rights of women and on the rights of foetuses, though in varying proportions. As a consequence, it should be clear that the solution is not perfect, but it seems to me that no perfect solution exists, at least until we can find a foolproof, convenient contraceptive and ensure that all those who need it have access to it, which is far from being the case at present.
 
I apologise for the ridiculous length of this post, but the topic is rather serious and you seemed to demand your points to be addressed as fully as possible so that’s what I did.

* This point was contested by fpb as he apparently only meant to consider Greek and Roman legends, not those of other cultures. I don't think this affects the general argument all that much though so I did not emend this.

June 22nd, 2008

 Just a short note to let you know that the second chapter of my darkish Harry Potter fanfic is on Fictionalley now: http://www.fictionalley.org/authors/elskuligr/

I will probably edit it further in the future though. Any comment on how to improve it is welcome.

June 17th, 2008

Apologies, Love, etc.

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plant, Elskuligr
 
I was reading through this book about interaction rituals for work, and it struck me that this passage could apply very well to love relationships in particular.
Obviously, its style would have to modified somewhat before it could find it’s way in a best-selling “Love For Dummies” type of book, but this is the clearest explanation I have ever seen of why apologies matter and of how they should be conducted to be worthwhile.
 
Even though the offender may fail to prove his innocence, he can suggest through these means that he is now a renewed person, a person who has paid for his sin against the expressive order and is once more to be trusted in the judgmental scene. Further, he can show that he does not treat the feelings of the others lightly, and that if their feelings have been injured by him, however innocently, he is prepared to pay a price for his action. Thus he assures others that they can accept his explanations without this acceptance constituting a sign of weakness and a lack of pride on their part. Also, by his treatment of himself, by his self-castigation, he shows that he is clearly aware of the kind of crime he would have committed had the incident been what it first appeared to be, and that he knows the kind of punishment that ought to be accorded to one who would commit such a crime. The suspected person thus shows that he is thoroughly capable of taking the role of the others toward his own capacity, that he can still be used as a responsible participant in the ritual process, and that the rules of conduct which he appears to have broken are still sacred, / real, and unweakened. An offensive act may arouse anxiety about the ritual code; the offender allays this anxiety by showing that both the code and he as an upholder of it are still in working order.’
(Erving Goffman, Interaction Ritual, New York, Anchor Books 1967, pp. 21-22; my emphases)
 
Replace ‘participant in the ritual process’ by ‘partner in the relationship’, ‘expressive order’ and ‘ritual order’ by ‘relationship of trust and mutual respect’ or something similar, and you have it.
Goffman’s analysis is obviously meant to apply to all kinds of situations, but I think his analysis is particularly useful for love relationships, because too many people tend to think that apologies and such likes are just empty gestures and if they still go through the motions to a certain extent at work or in other social contexts because they feel under pressure to do so, some may feel it is unnecessary to pay attention to such niceties in the private sphere.
However, I think Goffman’s description shows very well that worthwhile apologies (whether verbal or otherwise) go much beyond empty niceties, they may literally save a relationship.
It also shows that, for this reason, the important part in an apology is not the use of certain words or gestures, but the evidence of a certain awareness and willingness to take one’s responsibilities seriously.
 
Nota Bene: the text says “he” all the time but the pronoun refers to any person in general and not specifically to men. My hypothesis would be that, like so many writers from the 1950s, he tends to forget that a person has about 50% chance of being female ;)

June 3rd, 2008

Men / Women

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plant, Elskuligr
On a somewhat related note to my previous post, here is a page from a web comic I love:




 You can find the rest at http://xkcd.com/ "A webcomic of romance, sarcasm, math and language"
"Warning: this comic occasionally contains strong language (which may be unsuitable for children), unusual humor (which may be unsuitable for adults), and advanced mathematics (which may be unsuitable for liberal-arts majors)."
That's not me saying it, that's the author :)

June 2nd, 2008

I am human too

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plant, Elskuligr
             I would like to say a few words here about feminism, and more particularly about how feminism is often perceived.
            Let us start with the facts: there is a great deal of discrimination and violence against women in the world, even in supposedly “advanced” western societies. I shall only give a few examples, because I believe a long list would be tedious to read and because such things are no secrets so the reader will already be familiar with them. Domestic violence, rapes, unequal work opportunities, prejudices against women who take the initiative in a relationship, who are ‘too eager’ for sex, not eager enough to have children, etc. Some of these elements are much more serious than others, but none is quite trivial, I think. The chapter of work opportunities in itself could fill volumes.
            Few people would actually deny those facts, so there is no need to insist. It is not superfluous on the other hand to consider how such facts are perceived in our societies. I am not surprised that only a minority of people actively fight against such injustice because I am quite realistic and no matter how just the cause is, it will usually only enlist a minority of people willing to fight for it. The same goes for every cause: whether it be against poverty or racism, you cannot realistically expect everybody to defend it actively. You can, however, expect the majority to support passively the action of the minority, not necessarily its methods but at the very least its goal. Yet, feminism is not widely approved of, and that is a rather mild understatement.
            Worse, it is often ridiculed. And when I say ridiculed, I don’t mean only that some feminists or some of their actions are sometimes ridiculed, which is fair enough, but, more radically, that their aim itself — i.e. the idea of fighting violence and discrimination against women — is ridiculed, which is much more serious. A good example of this is the way, if the issue of gender discrimination happens to be raised, men will sometimes joke and say with a pseudo-ironic smile ‘oh well, that’s only to be expected, you women aren’t too clever’ or similar statements. Of course, such sentences are not to be taken literally: the smile which usually accompanies them is clear evidence of that. But it would be quite naïve to believe it is simple irony, i.e. someone saying the exact contrary of what they mean. As a matter of fact, someone who makes such a joke usually doesn’t mean ‘oh my God, I can’t believe such things happen, women really deserve better’. You only need to listen to the rest of their conversation to be persuaded of it. The irony in their comment is actually not directed against the statement itself, but against the people who are shocked by such statements, i.e. basically, women who think they are entitled to human rights. It is quite obvious from the way they expect women to react to such quips so that they can make fun of their disproportionate reaction to what is presented as just a harmless joke.
            I do not believe such jokes are harmless and that discrimination is a laughing matter. Or, to be more accurate, I think not every way of laughing about it is commendable. Laughter is a very powerful tool, which can be used to deal with anxieties or to challenge preconceptions, but plainly sexist jokes and ironic dismissals of feminism do not fall into that category. On the contrary they reinforce existing prejudices and inequalities. Now, I am not saying they should be forbidden, far from it. Freedom of speech is precious and should not be encroached upon lightly. On the other hand, I do admit I hoped I wouldn’t have to hear such things from people whose opinions I usually respect, people who are educated and who work on a daily basis with highly competent and intelligent women, people whom I thought were my friends.
            I will try to keep bitterness at bay and will proceed to another point, which is well worth raising. Feminists are often charged with wanting to ‘act like men’ or ‘be like men’. Now, I can’t speak for all the feminists in the world, obviously, but personally, I think this is a complete misunderstanding. Feminists want to be part of ‘men’ as in ‘All men are born equal’, which I have the naivety to believe, refers to ‘men’ in the sense of ‘mankind’ or ‘human beings’ and not in that of male individuals of our species. I have no interest in being male, but, strangely enough, I do think I am a human being. Now, I admit the use of ‘men’ or ‘Man’ is quite confusing and one is never quite sure of its exact meaning. This, I believe, is quite revealing of the whole problem. By using the same word to designate male human beings and humanity at large, it would seem our culture has confused the two, so that woman appears to strive after the rightful attributes of men, when she is in fact only claiming what is rightfully hers, the attributes of humanity.
            Finally, feminism properly construed is not the war of women against men, on the contrary. Feminism fights against inequality and more widely against the pressures exerted by rigid gender representations. In both cases, its action can benefit all society, not just women. Equality ensures that half the talent of a nation is not wasted away. Challenging gender representations means that we — men and women — do not have to accept the narrow roles that society offers us, but that we can do justice to the richness of human experience and live our lives fully, no matter if our inclinations do not quite fit the consensual representations of what a ‘real man’ or a ‘real woman’ is. This is why, although violence and discrimination are perforce greater emergencies, reflexion on gender is the most exciting and perhaps the most promising aspect of feminism.

May 17th, 2008

Ooops!
I haven't written here for ages, and I think it's about time I post the second chapter I promised ages ago.
It hasn't been betaed yet, because my faithful partner in crime,
[info]r_fluffy, is kind of busy at the moment (as usual). If anyone notices obvious problems with the text as it is, I'll be grateful for their comments.

 

 


 

October 20th, 2007

Musings on Irony

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plant, Elskuligr

As a student of Old English literature, I’ve always been struck by the fact there is always at least one scholar to invoke irony for every single piece of poetry that does not make immediate sense to the modern reader.

This reflex, it seems to me, would be fairly reasonable when confronted with a literature that does make a great use of irony (e.g. 18th c. French literature). On the other hand, it seems a bit off when dealing with a literary tradition which, as a whole, is not very big on irony.

 

I was recently working on something quite different from Old English, but suspicions of irony crept up again in the most unexpected fashion, which led me to write this note.

 

I am currently working on a translation of an extract from The Devil’s Advocate, by Morris West and one particular sentence is puzzling me:

 

“Nerone threw back his head and laughed as heartily as if it were a washerwoman’s joke down by the torrent.”

 

What puzzles me in this sentence is the expression “washerwoman’s joke.” 

The genitive seems to imply a rather strong link between washerwoman and joke, as if that link was already known from the text itself or from common cultural knowledge (e.g. “my neighbour’s cat” suggests the reader already knows about this particular cat vs. “the cat of my neighbour” implies no such thing).

 

Here, washerwomen as such have nothing to do with the plot. 

Clearly it is an image and the substance of the comparison seems to be that washerwomen tell good jokes and Nerone is reacting precisely as if he had just heard one such good joke, whereas we know from the text he just heard a dire warning and shouldn’t be laughing.

 

The puzzling thing for me is that the text seems to assume it is common knowledge washerwomen tell good jokes, which was new to me.

 

I asked two friends about it, one native speaker of English and one French girl with an extensive literary culture and both found irony, though not in the same place.

 

The French found irony in the name Nerone, allusion to the famous emperor who set fire to Rome.

The American found irony in the hearty laugh, assuming Nerone was not really laughing so much and that the allusion to the torrent meant you couldn’t even hear the joke and would thus merely fake a polite laugh and pretend you got it.

 

Admittedly, neither had the context of the whole passage (let alone the whole book!), so it was easier for them to read irony where there is none.

 

Still I found that puzzling, that when in doubt about the meaning of a passage, people tend to jump to the conclusion it must be ironic somehow.

 

I have no hypothesis regarding the source of that puzzling phenomenon, but would welcome

a) knowledge about the image of washerwomen in literature and the arts ;)

b) views or anecdotes about that tendency to assume irony when faced with something not immediately understandable. 

September 9th, 2007

Blood of Mud, Wing of Bat

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plant, Elskuligr
Hey!

As I had promised long ago, here is the review for one of my favourite fanfics, one which has many elements in common with Trouble in Paradise, by AngieJ, although romance plays no important part in it.
 
Blood of Mud, Wing of Bat, by Whippy: Review )
Author: Whippy
Status: NOT COMPLETE, APPARENTLY ABANDONNED
Length: 43 chapters that get longer and longer
My opinion: definitely in my top 10, would be excellent if was complete.
Genre: Our favourite characters, twenty years later, or “When did my life start going so wrong?”
Pairings: Hermione / Ron, but the story revolves around the character of Draco Malfoy as seen from Hermione’s point of view.
Spoilers: the fic is based on the first four Harry Potter books
 
Author’s Summary: “20 years post-Hogwarts, Hermione is married to Chudley Cannons beater Ron Weasley and employed by successful inventor Sibyll Trelawney. Then she is asked to work with Draco Malfoy. Can her job and marriage survive the test?”
 
Critique:
This fanfic is one of my all time favourites.
One of the things that make it rare and thus remarkable is that its plot is not based on a romance. At all.
And yet, it is a page-turner, which gives considerable insight into the psyches of many major characters.

This story is for people who, when they read Harry Potter, wonder how much a sickle is worth, how the Minister of Magic gets elected or what the actual size of the wizarding population in Britain is.
It is also a story for people who wonder what the ideals of youth become once you get older and what happens to the characters after “they get married and lived happily ever after.”
The story devotes considerable attention to the workings of Wizarding society and the evolution of individual characters in it, focusing both on their choices and on the instances when they are not really given a choice.

Blood of Mud, Wing of Bat has only two significant flaws, in my view.
First, it not complete.
Second, things go so steadily wrong and out of control for the main characters that it would require great talent to bring the story to some sort of a conclusion, that is to say without killing all the protagonists, which would be a rather lame solution.
That being said, the story is excellent. The representations of Draco and Hermione are rich and fascinating. They have all the complexity of real life and so do those of many minor characters, including Ron and Arthur Weasley.
 
Trivia: the title is inspired by Macbeth, although it is not a direct quote from Shakespeare’s work. In Act 4, Scene 1, the witches are brewing a potion whose ingredients include “Eye of newt, and toe of frog, / Wool of bat, and tongue of dog”...etc. The title uses that reference to potion both to refer symbolically to its two protagonists and to evoke the importance of potion ingredients in the story.
 
Where to find it: This fanfic is available on Fictionalley.org and Fanfiction.net, but the most complete and edited version is on Whippy’s own website Blast-Ended.

 </div>
Also, for the few people who enjoyed the first instalment of Better Than Expected, the second chapter is written at last and will be posted as soon as it is betaed and corrected.
 

August 3rd, 2007

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plant, Elskuligr

Hey folks,

 

July has been a very busy month, sorry for not writing more... and I’m not sure August will be any better. Not only have I not finished writing the second chapter of Better Than Expected, I’ve actually barely started reading the Deathly Hallows yet.

I know, I’m a bad person.

Before leaving my homecountry again, this time for the States, I thought I would give you a small Icelandic present.

First of all I bought Harry Potter and the Philosopher’s Stone in Icelandic (Harry Potter og viskusteinninn) so I could try to practice a bit (given my command of Icelandic this is way too ambitious, but then again I know the book practically by heart in English so I can probably guess my way through the Icelandic version), so here is the very beginning :

 

« Dursleyhjónin á Runnaflöt númer fjögur hreyktu sér gjarnan af því að vera sérdeilis og algerlega eðlilegt fólk. Engan hefði grunað að þau væru flækt í eitthvað skrítið eða dularfullt, því svoleiðis vitleysu kærðu þau sig ekki um. »

 

« Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much. They were the last people you’d expect to be involved in anything strange or mysterious, because they just didn’t hold with such nonsense. »

 

I love it in English and I think it’s great in Icelandic too.

 

Also, and this is a special dedication for [info]r_fluffy, I was perusing old books in Kolaportið, Reykjavík’s flea market, and I saw Hroki og hleypidómar, aka Pride and Prejudice, by Jane Austen. 

 

I know [info]r_fluffy loves the book and that she particularly loves the very first sentence : 

« It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. »

 

So I just had to copy it down in Icelandic, here it is :

 

« Það er kunnara en frá þurfi að segja að piparsvein í góðum efnum hlýtur að vanta eiginkonu. »

 

And that’s all I have to say for now, really.

 

Cheers,

 

Elskuligr

 

July 13th, 2007

Hey,

I’m sorry, I haven’t written anything here for a couple of weeks, but for once I have a great excuse, so I’m not feeling guilty at all, yeah! :-D
I’m currently in Iceland, desperately trying to learn Icelandic, which happens to be quite tough, so I don’t have that much time to write: I’m way too busy learning declensions, swimming in naturally hot water and hiking lovely mountains to spend a lot of time on the internet.

Anyway, I thought the time was appropriate for a little explanation about my name here, elskuligr.
Elskuligr is a word in Old Norse (or Old Icelandic, that is the language which was spoken in Scandinavia and parts of Britain during the Middle Ages). Its modern equivalent is elskulegur.
Both elskuligr and elskulegur mean “affectionate”, “loving”, “friendly” or “beloved”, “dear.”
It is an adjective derived from the word elska, which can be either a noun or a verb and means “love”.
Elskuligr is the masculine singular form of the adjective, as in elskuligr maðr, “a loving or lovable person”.

From what I’ve been able to find out in an Icelandic Etymological dictionary, elska as such has no parallel in other Germanic languages and is probably derived by a form such as *aliska-R, meaning to be raised or to grow older with someone.
Some people also relate that word to elja or eljun, meaning "vigour" or "energy", but the connection is doubtful.

I hope you enjoy the clever explanation and I promise I have not abandoned my ficlet Better Than Expected. I’ll work on it some more as soon as I get the time!

xx

elskulega (lovingly)

Me. ;-)

Here is a small picture of Thingvellir, where the Assembly of Iceland (Althing) used to meet to pass judgments and make laws in the medieval and modern periods.
Just to make you jealous ;-)

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June 29th, 2007

Today, I read a really sweet ficlet on [info]fpb’s livejournal. It’s called To Be Opened In the Event of My Death and it’s a love letter written by Harry to Ginny before he dies. 

I quite liked it, but I also found hilarious one of the comments, by [info]dustthouart, saying:

I like this but it's far too erudite and well-written to be from Harry. ^_^ His would be more likely to be some scribbed notation "I love you and don't be sad too long ok and I'm doing this for you PS DON'T KISS DEAN". Kidding. ^_^”

[info]fpb protested that Harry would probably make a bit more of an effort than that if he thought it was his very last letter and I think he’s right.

So this got me thinking and I tried to imagine a letter that would be halfway between [info]fpb’s romantic love letter and [info]dustthouart’s hasty scribble and that’s what I came up with. 

I'd like to think that [info]fpb's letter is probably what Ginny would deserve and that this is the sad sad reality (well apart from the fact it's probably too long to be realistic, but what can I say, I'm a talkative girl...).

June 24th, 2007

Dear old [info]r_fluffyhas finally found the time to beta my first chapter for a fic called Better Than Expected, so here it is in exclusivity!

This is a rather darkish story set after the Death Eaters have been defeated by Harry Potter. When it all happened, Draco Malfoy expected he was about to go through rather difficult times, but as it turns out things are not going quite the way he would have thought...

Warning: some characters you might be fond of die in this fic.


 



I hope you enjoy this fic, I would be very glad to read your comments or reviews :-)

June 11th, 2007

Doodles

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plant, Elskuligr

There are many things that I should be doing right now, including writing a paper and learning Icelandic, but strangely enough, once again I'm just feeling too lazy to do anything remotely useful.
I haven't even written new reviews, nor have I finished my ficlet (then again it's partly 

[info]r_fluffy's fault: she should be betaing the first part, but instead just wastes her time on inconsequential stuff like exams, I wonder why...).
Instead I have just written a silly love quatrain that I will now generously deliver to the world which has presumably better things to do than reading it, but there you go:

Shall I compare thee to a chocolate cake?
Thou art perhaps as sweet, but not as rich
As the delicious cakes good bakers make.
Are these lines sweet or just a trifle kitsch?


I apologise profusely to good old Will for shamelessly plagiarising his beautiful sonnet ("Shall I compare thee to a Summer's day?").

On a completely unrelated note, I stumbled on an article praising fanfiction the other day, I thought people taking an interest in this livejournal might enjoy reading it too:
Cory Doctorow: In Praise of Fanfic 

That's all folks!

 

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